COLLECTIONS

S/S  24 - MENS/WOMENS
S/S 23 - WOMENS
F/W  22 - MENS/WOMENS 
S/S  22 - WOMENS 
S/S  21 - WOMENS
F/W 26 - MENS
F/W 26 - WOMENS
Spanning SS21 to FW26, these collections reflect Marshall Columbia’s evolving vision — transforming childhood imagination and sculptural craft into wearable pieces.

SS 22



SS22 channeled the animated confidence of early-2000s heroines, drawing inspiration from Powerpuff Girls, Kim Possible, and Totally Spies to celebrate the playful “girl-with-a-mission” energy that shaped Marshall Columbia’s childhood imagination. The collection translated that spirit into bold, character-driven silhouettes — full patchwork heart bodysuits, beaded dresses and tops, and soft sculptural shapes that feel like wearable cartoons. Expanding the universe beyond clothing, the season introduced collaborations with TD Kent Eyewear and Blobb Jewelry, extending the brand’s craft-focused aesthetic into handmade resin jewelry and expressive eyewear.



THIS IS A BOOK OF STUFF THAT I MADE


collections and stuff 
collaborations
credits

Spanning SS21 to FW26, these collections reflect Marshall Columbia’s evolving vision — transforming childhood imagination and sculptural craft into wearable pieces.



COLLECTIONS

S/S  24
S/S 23
F/W  22
MENS F/W 26
WOMENS F/W 26
Spanning SS21 to FW26, these collections reflect Marshall Columbia’s evolving vision — transforming childhood imagination and sculptural craft into wearable pieces.

SS 21

Marshall Columbia’s debut collection was created in his Brooklyn apartment during lockdown, built from the same childhood love of craft that shaped his creative identity. Beads — his earliest obsession — reappear as loud, joyful armor: a hand-beaded suit that became his first celebrity moment when Miley Cyrus wore it for an MTV performance, sparking instant attention for the brand. The collection’s nostalgic colors and playful construction formed the foundation of Marshall Columbia’s DNA, leading to an exclusive order from SSENSE and setting the tone for everything that followed.